205, is in A-flat minor, and the earlier A-flat-minor portion is written with a 7-flat key signature, but the later A-flat-minor portion is written without any key signature, and uses the necessary flats as accidentals. The first movement of Charles Koechlin's Partita for Chamber Orchestra, Op.In Gustav Mahler's Ninth Symphony, there is a particularly aggressive restatement of the introduction of the third movement in A-flat minor.Franz Liszt's original version of " La campanella" from Grandes études de Paganini, which was subsequently rewritten in G-sharp minor.The opening of Igor Stravinsky's The Firebird.Leoš Janáček uses it for his Violin Sonata and the organ solo of his Glagolitic Mass.Etude No.13 in Moritz Moszkowski's Études de Virtuosité, Op.
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